Here’s our first recording from Ragas Live Festival 2018! A beautiful set from 11pm to midnight from Anirban Dasgupta (sarod), Mir Naqibul Islam (tabla).
Anirban is the youngest son and disciple of Pt. Buddhadev Dasgupta. Needless to mention, he grew up with the very best ambience of Indian Classical music, with his older sibling, Bhavani Shankar also following his father’s footsteps. Not to be left behind, Anirban also took to playing the Sarod from an early age under the able guidance and tutelage of his illustrious father. A wonderful product of innate talent, years of grueling toil and delicate musical nurture, Anirban remains an extremely humble and self-effacing artist. In 1987, he stood first in the All India Radio Music Competition. He has performed widely in India as well as in the UK, Netherlands, Germany, Belgium and USA.
Mir Naqibul Islam (tabla) is a classical music performer in Bangladesh and New York, both as a soloist and an accompanist. Though trained in a purely traditional style, he incorporates many genres and influences into his playing. He is fortunate to have Shri Ashoke Paul, a disciple of Padmabhushan Pandit Jnan Prakash ghosh, as his guru for the past 17 years, learning the technical and aesthetic aspects of tabla playing. Mir has also learned from Janab Syed Hafizur Rahman, Pandit Gopal Mishra,
Shri Madan Gopal Das, and Pandit Suresh Talwalkar. Mir is currently taking musical instruction from Pandit Anindo Chatterjee.
We hang with the great Turkish musician Ozan Aksoy. He performs live on Ney and Saz and we check out tracks from his new album entitled, Ozan.
The New York City based musician Ozan Aksoy’s destiny was set with his birth name – Ozan – an ancient title for mystical bards in West Asia. As a child growing up in Turkey, he first learned to play the saz (lute) from his father, and soon demonstrated remarkable breadth as a multi-instrumentalist, becoming proficient in many of the string, woodwind, and percussive instruments of the region. He developed a passion for the music of ethnic and religious minorities in his country including the Kurds, Armenians, Laz, and Alevi, among others. Later in college, as an early member of the critically-acclaimed ensemble Kardeş Türküler (meaning Ballads of Solidarity), Ozan and his colleagues performed the songs of these unrecognized and suppressed peoples, pushing the boundaries of inclusion in Turkey. During his time with the group they released four albums and toured extensively throughout Europe, spreading their message of diversity and acceptance. Ozan then relocated to the United States to complete a doctorate in ethnomusicology and further develop his multicultural repertoire.