Dan Weiss Teen Taal Drumset Solo – Ragas Live Festival #4 Podcast 209

Play

itunes-button1The fourth set of the historic, Ragas Live Festival 2016, live at Pioneer Works.  Dan Weiss (Drumset) and Michael Gam (bass).

Weiss has been studying tabla and Indian classical music with his Guru (teacher) Samir Chatterjee since 1998. With his Tintal Drum set Solo,  Dan takes the concept of a traditional Indian tabla solo and migrates it to a conventional drum set.

When listening to Tintal Drum set Solo, the trick is to reverse more conventional roles. Whereas, in a typical Western context, one would expect the guitar or bass to be the melodic centre and the drums to be the rhythmic support, here one needs to place Weiss’ kit up front, with the other melodic instruments in the supporting role.

Ragas Live Festival 2016 is produced with the support of The Rubin Museum of Art

Rubin_Logo1_RGB_REDPIONEER-WORKS-LOGO-700x403brm-logo-copy-1

Samarth Nagarkar (vocal) Amod Dandawate (tabla) Arun Ramamurthy (violin) Ragas Live Festival 2014 – Podcast 107

Play

Podcast Download

Samarth Nagarkar (vocal) Amod Dandawate (tabla)  and Arun Ramamurthy (violin) performed raga Kausi Kanada (Nayaki ang) from 11pm-midnight to conclude the 24 hour, Ragas Live Festival 2014.

RagasLive2014

Samarth Nagarkar is acknowledged to be one of today’s foremost and prolific artists representing Hindustani classical music traditions. He is known for his eclectic, captivating performances reflecting extensive training and an artistic vision encompassing tradition and modernity in a rare balance.

 

After years of rigorous training under the celebrated performer and guru, Pt. Ulhas Kashalkar, he graduated as a Grade-A scholar of the ITC Sangeet Research Academy, Kolkata in 2009. Prior to this, he trained under the eminent late Pt. Dinkar Kaikini in Mumbai, following an inspired early initiation into music by Smt. Aditi Kaikini Upadhya in his hometown Bangalore. By virtue of intense and extensive guru-shishya parampara training Samarth’s performance repertoire encompasses styles, ragas and compositions of three prominent gharanas – Gwalior, Agra and Jaipur.

 

Samarth performs regularly in most reputed concert platforms and venues in India and the USA, as well as frequently features in television and radio programs across the world. Some of his recent concerts in the US include the Ali Akbar College of Music and Basant Bahar, CA, Chhandayan All Night Concert, New York, Woodstock 2012, and Universities of Stanford, Indiana, Penn State and UPenn, to name only a few. In India he recently performed at several top ranking music festivals and venues including the ITC Sangeet Sammelan, Kolkata, Saptak and D. U. Yuva Sangeetotsav, Bangalore, The National Centre for Performing Arts (NCPA), Mumbai and India Habitat Center, New Delhi, among others.

 

He is a recipient of prestigious national awards including the President’s award for the AIR competition in 2000, which also made him a graded artiste of the AIR. The Government of India awarded him a fellowship in 2009 for his research and documentation of the music of Gwalior gharana through the past century.

 

He has composed and continues to record music and soundtracks for international and cultural conventions and films. Samarth also authored his first book ‘Raag-Sageet’ published in 2013. He has two CDs/Albums titled ‘Pravah’ and ‘Pranali’ to his credit.

 

Former head of the K. K. Kapoor Sangeet Research Academy, Lucknow, Samarth has been conducting very successful and popular lecture demonstrations and music workshops across India and the USA. Samarth also spearheaded an Indian Music Choir.

 

Samarth currently divides him time between the US and India pursuing an active career as a leading performer, composer, teacher and author.

 

Aashish Khan (sarod) Dan Weiss (tabla) and Anupam Shobhakar (Sarod) Ragas Live Festival 2014 – Podcast 106

Play

Podcast Download

Aashish Khan (sarod) Dan Weiss (tabla) and Anupam Shobhakar (Sarod) performed from 9-10 pm for the 24 hour, Ragas Live Festival 2014.

RagasLive2014

Aashish Khan is considered among the top handful of India’s greatest living Sarod players. His pedigree of training and lineage is unquestionable, having descended from the illustrious family of great musicians.

 

Aashish Khan was initiated into North Indian classical music at the age of 5 by his grandfather, the legendary Acharya Baba Allauddin Khan, exponent of the “Senia Beenkar” and “Senia Rababiya” Gharana. His talim (training) continues under the guidance of his father Ustad Ali Akbar Khan, and his aunt, Smt. Annapurna Devi, presently the leading exponents of the “Senia Gharana”, in the Beenkar and Rababiya anga of the Druvapada style.

Aashish has collaborated with such diverse western musicians as John Barham, George Harrison, Ringo Star, Eric Clapton, Charles Lloyd, John Handy, Alice Coltrane, Emil Richards, Dallas Smith, Don Pope, Jorge Strunz, Ardeshir Farah, and the Philadelphia String Quartet.

His recordings include: The Wonder Wall, Young Master of the Sarod, California Concert, Sarod and Piano Jugalbandi, Shanti, Live at the Royal Festival Hall London, Homage, Inner Voyage, Monsoon Ragas, The Sound of Mughal Court, and the latest, Jugalbandi Sarod & Sarangi Duet, with Ustad Sultan Khan.

Aashish Khan is a respected guru and teacher, formerly on the faculties of the Ali Akbar College of Music in San Rafael, California, and the University of Washington, Seattle. While pursuing a busy career as a concert artist and composer, he teaches students throughout the U.S., Canada, Europe, and Africa, as well as India.

 

Krishna Bhatt (Sitar) and Nitin Mitta (tabla) Ragas Live Festival 2014 – Podcast 105

Play

Podcast Download

Krishna Bhatt (Sitar) and Nitin Mitta (tabla) performed from 8-9 pm for the 24 hour, Ragas Live Festival 2014. RagasLive2014

 

Krishna Bhatt’s performances of Hindustani ragas have won the admiration of audiences in India, Asia, Europe and North America. His innovative style of music combines a rich blend of Gayaki (vocal) and Tantrakari (instrumental) techniques and musical compositions. His music is noted for its virtuosity, originality and depth of feeling that is conveyed to the listeners.

Krishna Bhatt was born into a family of musicians, poets and Sanskrit scholars who for five generations upheld their tradition in Rajasthan. His forefathers migrated from the south of India to Rajasthan (northwest), a princely state then, to seek employments in the “Gunijankhana” (department of learned scholars) of the Maharaja of Jaipur. Krishna was introduced to the musical traditions of Senia school by his father, who was a distinguished sitarist of his time, the late Pt. Shashi Mohan Bhatt.

In recognition of his pioneering research into the folk origins of North Indian classical music, the Rajasthan Tourism Ministry sponsored several gala concerts featuring Krishna Bhatt with Manganiyar folk musicians in Rajasthan and Gujarat. In addition, Krishna has discovered previously unrecognized Rajasthani ragas and established their structures. He is now in the process of recording these ragas, and is also preparing an ethnomusicological study of the regional singing style called Maand.

 

Africa Meets India: Ragas Live Festival 2014 – Podcast 104

Play

itunes-button1

10320896_10152553861488112_6227414125894843897_o
Africa Meets India during this performance on the Ragas Live Festival

Africa Meets India: Kevin Nathaniel (Mbira) Eric Fraser (Bansuri)
Naren Budhkar (tabla)  Salieu Suso (kora) Giancarlo Luiggi (Hosho) and Indrajit Roy-Chowdhury (Sitar) performed from 7-8 pm for the 24 hour, Ragas Live Festival 2014.

RagasLive2014