Raja Kassis, Human Being Podcast 114

Play

Podcast Download
db882c3277db27a3-1897940_10152332007126979_1273539798_n-e14083881846341-1After a smoking live set last night from Foday Musa Suso, the great guitarist Raja Kassis came into WKCR with his smokin’ new album Human Being.  Raja is known for his work with Blitz the Ambassador, Damian Marley, Angelique Kidjo, Seun Kuti, Antibalas and many others.

We conclude the broadcast with  a track from Edwin Quirk’s new  Fractal Caravan album.

 

Noura Mint Seymali live with Jay Gandhi, Jeiche Ould Chighaly and Ehren Hanson – Podcast 108

Play

Podcast DownloadNoura Mint Seymali and Jeiche Ould ChighalyFresh from the inspiration of Ragas Live Festival, we tried our hand at a novel combination of styles an instruments.  Mauritania’s greatest singer, Noura Mint Seymali and her husband/guitarist, Jeiche Ould Chighaly performed live in studio with two Brooklyn-based Hindustani musicians Jay Gandhi (bansuri flute) and Ehren Hanson (Tabla).  They met at the ASAMAAN Festival of Music & Astronomy in the Gorée Island – Dakar, Sénégal on April 2013 but had never performed together until this day.

We also got a chance to share a track from Noura’s burning new album Tzenni.

Noura Mint Seymali is a nationally beloved star and one of Mauritania’s foremost musical emissaries.  Born into a prominent line of Moorish griot, Noura began her career at age 13 as a supporting vocalist with her step-mother, the legendary Dimi Mint Abba.  Trained in instrumental technique by her grandmother, Mounina, Noura mastered the ardine, a 9-string harp reserved only for women.  Seymali Ould Ahmed Vall, Noura’s father and namesake, sparked her compositional instincts, himself a seminal scholar figure in Mauritanian music; studying Arab classical music in Iraq, devising the first system for Moorish melodic notation, adapting the national anthem, and composing many works popularized by his wife, Dimi.  Reared in this transitive culture where sounds from across the Sahara, the Magreb, and West Africa coalesce, Noura Mint Seymali currently drives the legacy forward as one of Mauritania’s most adventurous young artists.

Fueled by the exploratory sound of her husband Jeiche Ould Chighaly’s emotive psych guitar lines, Noura and Jeiche formed their first “fusion” band in 2004.  Jeiche, a master of the tidinit (aka. ngoni, xalam), brings the force of yet another important line of Moorish griot to bear, translating the tidinit’s intricate phrasing to a modified electric guitar with heroic effect.  His unique sound, mirroring vocal lines and then refracting their melodies into the either, was born out of years presiding over wedding ceremonies, directing the dance often as the sole melodic instrument.  In addition to his work with Noura, Jeiche remains one of Nouakchott’s most sought after guitarists for traditional ceremonies.

After two albums – Tarabe (2006) & El Howl (2010) – released locally in Mauritania and years of experimentation adapting Moorish music to various pop formations, Noura Mint Seymali’s current band is a concise return to the roots, a light formation led by the “azawan,” a word in Hassaniya that refers to the collective ensemble of traditional instruments; the ardine, tidinit, guitar.  Backed by a declarative, funk-speaking rhythm section, composed of Ousmane Touré (bass) and Matthew Tinari (drums), the band has made a formidable debut on the international stage, releasing two EPs – Azawan (2012) & Azawan II (2013) – and touring widely.  The band’s first full-length album for the international market – TZENNI –  is set for release via Gliiterbeat Records on June 20, 2014 and to be followed by an extensive North American tour.

Though performances at events like globalFEST (USA), Festival-au-Desert (Mali), Hayy Festival (Egypt), Jeux de Francophonie (France) and Festival Timitar (Morocco) and collaborations with artists like Tinariwen, Bassekou Kouyaté, and Baaba Maal, the band is actively exposing Mauritanian roots music to the world.  In a rare merger of cultural authority and experimental prowess, Noura Mint Seymali applies the ancient musical traditions of the griot with a savvy aesthetic engagement in our contemporary moment, emerging as a powerful voice at nexus of a changing Africa.

 

 

Stanley Jordan, Live Performance and Interview from WKCR – Part 1 (Podcast 80)

Play

Podcast Download

“Genius is a word too often tossed around in musical circles, but it has been applied rightfully to Stanley Jordan, the guitar virtuoso.” -Leonard Feather

2009mgs-1

 

It was a thrill to have one of the world’s most inventive guitarists visit us at WKCR.   Stanley Jordan, hosting the musician show, performs here live, solo, and with the good friend of NYC Radio Live, Abdoulaye Alhassane Tourre (Check podcast 49 for more Live Abdoulaye Alhassane.)

Stanley’s original style of two handed tapping, the touch technique, allows him to play the guitar with the freedom of a keyboardist.  The voices are so independent on his instrument that on record it is almost hard to believe that the music is coming from one person  (See the video below!).   A four time-Grammy nominee, Jordan’s album Magic Touch was #1 on Billboard’s jazz chart for 51 weeks, setting a new record.  He has toured in over 60 countries and now focuses much of his attention to the direct healing power of music: music therapy.

 

Debashish Bhattacharya Benefit Concert – Podcast 53

Play

Podcast: Download on iTunes

Grammy Nominated, BBC Award winner Pandit Debashish Bhattacharya is widely recognized as one of the worlds greatest guitarists. A prodigy, he first performed on-All India Radio at the age of 4. He has since amazed audiences worldwide performing with such luminaries as John McLaughlin, Zakir Hussain, Jerry Douglas and Dereck Trucks. 

NYC Radio Live, Bread and Yoga, Rageshree Music, and
HarmonyOm teamed up to create a  benefit concert for the victims of Hurricane Sandy 

Featuring the legendary slide-guitarist from India

Pandit Debashish Bhattarcharya
with
Subhasis Bhattarchaya / Tabla
and Introducing – for the first time in New York, his daughter Anandi Bhattarcharya / Vocal

 

Rez Abbasi Trio Live Set – Podcast 52

Play

Guitarist Rez Abbasi brought his burning new trio of John Hebert on the bass and Satoshi Takeishi on the drums to WKCR before their new album -Continuous Beat- is released on November.

Here’s his words on the trio: “I wanted to excite the listener with a new guitar trio experience. One that retains the warmth of the established trio sound but also employs electronics in order to expand the timbral pallet, especially for the melodies. Ultimately, this approach not only gives clarity to the solos but also keeps the listener’s aural sense stimulated.” More info on http://www.reztone.com/

Recorded on Friday, October 12th in WKCR studios. Engineered by Ahmet Ali Arslan.

Oumar Konate brings the electric sounds of Timbuktu to NYC – Podcast 51

Play
Oumar Konate and Dramane Toure

Oumar Konate performs live at the WKCR studio joined by guitarist Dramane Toure, bassist Mohamed Ag Mohamed, and percussionist Mahalmadane Abbanassane.  We were lucky to catch these gentlemen on their way to perform at Lincoln Center.  Earlier in the summer they had been touring and recording  with Tibuktu’s Khaira Arby, the “Nightingale of the North.”

Like Abdoulaye Alhassane of Podcast 49, Oumar was born in Gao in Northern Mali an area where all music has been silenced by extremists this year, we’ll hear an interview with him about that along with his manager, the producer and music critic, Christopher Nolan.   For more music recorded by Oumar check out Podcast 19.