The world-renowned Moroccan Festival Gnaoua et Musiques du MondeEssaouira celebrates its 20th anniversary with a debut NYC collaboration. Great Maalems (masters) and all-stars of the festival trace a musical journey of the ancient music of Gnawa during a night of trance and tradition.
There will be events all week in NYC.
In this WKCR broadcast we get to speak with master drummer, Will Calhoun;Samir Langus and Nawfal Atiq of Innov GnawaMeera Dugal of Lincoln Center, about what to expect and delve deep into this magical tradition
The mind blowing singer from Mauritania has been on our radio show before and she’s coming to NYC to perform for World Music Institute at (Le) Poisson Rouge Friday, February 24, 2017.
We’ll share our first encounter with Noura Mint Seymali when we recorded her in Timbuktu with her husband, Jeiche Ould Chighaly. It was an intimate acoustic recording with a single microphone.
We’ll also here a highlight of one of our greatest podcasts ever when we connected next Noura Mint Seymali in New York City and recorded her and Jeiche with Brooklyn Raga Massive musicians Jay Gandhi and Ehren Hanson.
This was a real incredible experience. We got sit down and hang with Vieux Farka Toure, talk to him and record a little acoustic music…AND record his entire live set at Le Poisson Rouge in Manhattan with his
smoking band! Many thanks to World Music Institute and Le Poisson Rouge for making this happen. This podcast will air on WKCR 89.9 FM-NY at 11pm Sunday Oct 2nd and stream and www.wkcr.org.
Often referred to as “The Hendrix of the Sahara”, Vieux Farka Touré was born in Niafunké, Mali in 1981. He is the son of legendary Malian guitar player Ali Farka Touré, who died in 2006. Ali Farka Touré came from a historical tribe of soldiers, and defied his parents in becoming a musician. When Vieux was in his teens, he declared that he also wanted to be a musician. His father dissaproved due to the pressures he had experienced being a musician. Rather, he wanted Vieux to become a soldier. But with help from family friend the kora maestro Toumani Diabaté, Vieux eventually convinced his father to give him his blessing to become a musician shortly before Ali passed.
Vieux was initially a drummer / calabash player at Mali’s Institut National des Arts, but secretly began playing guitar in 2001. Ali Farka Touré was weakened with cancer when Vieux announced that he was going to record an album. Ali recorded a couple of tracks with him, and these recordings, which can be heard on Vieux’s debut CD, were amongst his final ones. It has been said that the senior Touré played rough mixes of these songs when people visited him in his final days, at peace with, and proud of, his son’s talent as a musician. He know tours internationally with many acclaimed records to his name.