Rez Abbasi Trio Live Set – Podcast 52


Guitarist Rez Abbasi brought his burning new trio of John Hebert on the bass and Satoshi Takeishi on the drums to WKCR before their new album -Continuous Beat- is released on November.

Here’s his words on the trio: “I wanted to excite the listener with a new guitar trio experience. One that retains the warmth of the established trio sound but also employs electronics in order to expand the timbral pallet, especially for the melodies. Ultimately, this approach not only gives clarity to the solos but also keeps the listener’s aural sense stimulated.” More info on

Recorded on Friday, October 12th in WKCR studios. Engineered by Ahmet Ali Arslan.

Oumar Konate brings the electric sounds of Timbuktu to NYC – Podcast 51

Oumar Konate and Dramane Toure

Oumar Konate performs live at the WKCR studio joined by guitarist Dramane Toure, bassist Mohamed Ag Mohamed, and percussionist Mahalmadane Abbanassane.  We were lucky to catch these gentlemen on their way to perform at Lincoln Center.  Earlier in the summer they had been touring and recording  with Tibuktu’s Khaira Arby, the “Nightingale of the North.”

Like Abdoulaye Alhassane of Podcast 49, Oumar was born in Gao in Northern Mali an area where all music has been silenced by extremists this year, we’ll hear an interview with him about that along with his manager, the producer and music critic, Christopher Nolan.   For more music recorded by Oumar check out Podcast 19.

Manoj Govindraj sings Raag Megh – Podcast 50


Indian Classical vocalist Manoj Govindraj sings 2 compositions based on Raag Megh, accompanied by Swarup Swaminathan on harmonium and Sai Shyam Mohan on tabla.

Here’s what Manoj says about the performance: “Raag Megh -also called Megh Malhar- is a seasonal Raag, sung typically during the rainy season. That’s the reason why the compositions which are based on this raag are worded according to the rainy season. I’ll be presenting 2 compositions: one in a 10 beat rhythmic cycle, which we call Jhaptaal, and this is going to be in middle tempo. The second composition will be in a 12 beat rhythmic cycle, which is Ektal. It will be in a faster tempo. Both of the compositions have words, which talk about the rainy season and the feeling that everyone gets when the rains come after the heat of the summer.”

Manoj found his calling in music early on in life. He began his formal training at the age of seven, though his initiation was even earlier when he was all of three, singing bhajans while on a pilgrimage to Shirdi. By the time he was eleven, he was learning Hindustani music professionally under the tutelage of Mrs. Vineeta Tembe. His mentors include Mr. Prabhakar Karekar and Mrs. and Mr. Prem.

A rank-holder and a gold medalist from Mumbai University, Manoj completed his Master of Fine Arts in Hindustani Classical Vocal Music in 1999. He was the recipient of Pandit Bhimsen Joshi scholarship Hindustani music at post-graduate level in 1998-99. He has won several awards, the most prestigious one being the Sur Singar Samsad Award in 1995 for light vocal.

Manoj has been teaching Hindustani classical and light music (vocal and harmonium) at the Academy of Indian Music, South Plainfield, New Jersey, since March 2004. His repertoire includes Hindustani classical (Khayal), semi-classical (Thumri, Dadra), bhajans, ghazals and old film songs in Hindi and Marathi.

Manoj has conducted several lecture demonstrations on topics including “The Thaat Series” [conducted in 5 sessions, introducing Thaat System in Hindustani Music], “Music Appreciation”, “Introduction to “Hindustani Music” at Keane University, NJ, and other institutions.

Recorded July 21st at WKCR studios.