Abdoulaye Alhassane plays the music of the Sahara Desert live – Podcast 49

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Abdoulaye Alhassane performs live with Deep Sahara at WKCR in 2010.  w/ Yacouba Diabate (Kora) Frederika Krier (Violin) and David Ellenbogen (guitar)

By Banning Eyre | April, 2007 [guitar player mg]
Abdoulaye Alhassane Toure has brought string-picking wizardry from the desert towns of West Africa to the nightclubs of New York City. Born in 1963, in Niamey, Niger, to a Sonrai family from Gao, Mali, he passed his youth in a multi-ethnic neighborhood surrounded by Peul, Bambara, Sonrai, and other peoples, and as he put it, “They all played music.” Local radio filled his ears with the sinuous, bluesy strains of desert folklore and the melodious bombast of Mande griots. When his parents returned to Mali, Toure recalled, “They came back with cassettes by Ibrahim Hamma Dicko, Fissa Maiga, and Ali Farka Toure, who sang in a language we understood, and I was incredibly inspired by the originality of this music.” Toure’s musical gift became obvious when he started hanging out in the Niamey nightclub where his uncle, Johnny Ali Maiga, led a band.
“Johnny Ali Maiga played folklore, like Ali Farka Toure,” said Toure, “But he also loved rock. His group was on the radio in Niamey, and it sounded like the Malian music I was listening to at home, but sung in Zerma, the national language of Niger.”
By the early ’80s, Toure was playing guitar and flute, and his first band incorporated electric guitar, bass, drums, and brass, and merged regional folk styles with international pop. When the group took first prize in a national competition, Toure became a full-time musician. By the late ’80s, he was leading Super Kassey—the first Niamey band to travel abroad and record in a modern studio.
Before long, Toure was working as a guitar instructor at the European-run Center for the Education and Promotion of Music. In 1992, Toure teamed up with singer/flutist Yacouba Moumouni to create Niger’s most successful roots pop band to date, Mamar Kassey. Mamar Kassey’s two electrifying CDs, Denke Denke (1999) and Alatoumi (2000) showcase Toure’s guitar mastery and formidable arranging skills. The music is rooted in tradition, but molded into brisk arrangements that include key modulations and bursts of solo improvisation.
“Improvisation existed in Sonrai music,” explained Toure, “but in another form. In our ceremonies, there’s an original melody that is played by the kurbu [a 3-stringed lute]. When the energy rises between the players and the dancers, the kurbu player leaves his melody, and follows his heart. But if you tell that kurbu player to work with a modern group and ‘improvise,’ you have to explain to him what it means.”
Mamar Kassey’s travels eventually brought Toure to New York City, where he now lives and performs with his current band, Deep Sahara. Toure can cradle an acoustic guitar and fingerpick his way through desert trance grooves, and he can also take up a flatpick, and wail on electric—edging desert folklore into the realm of blues and rock. One day, he plans to return to Niger to set up a studio and form an international touring band. For now, Toure is merely one of the most riveting African guitarists to be found in the United States.

Tomchess and Shane Shanahan – Live Performance (Podcast 48)

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Tomchess (Oud) and Shane Shanahan (Frame Drums and Percussion) performed live at WKCR on Sunday July 15, 2012.

Tomchess is a Multi-instrumentalist/Improviser/Composer. He plays Reeds, Western Flute, Arabic/Turkish Ney flute, Oud, and Guitar. He also has a history of using electronics /sampling/live-sampling/loops/fx. He has performed with Drummer Ronald Shannon Jackson’ Decoding Society, Butch Morris’s Sheng Skyscraper, recorded with Tenor players Dewey Redman, Pharoah Sanders, Morrocan Sintarist Hassan Hakmoun and Butch Morris. He has also led a guitar trio with Drummer Phil Haynes and bassist Drew Gress called Seven Times a Year. He has studied Middle/Near Eastern and West African musics, spending time in West Africa playing and performing.

He  says:”…My inspiration is drawn from my evolving realizations of love and life; listening to an inner convergence, the rhythms of life, nature/city sounds, my experiences as a human being and artist and listening to music from all parts of the world. The deeper I listen, the more I hear unity/universals in how sound is used and celebrated, as well as differences. The World is chock-full of beautiful and multi-colored infinitudes of expression through sound. Music embraces within it the means to overcome and transcend religious, political and social boundaries as a powerful transformative vehicle. Its also simply just alot of fun. My playing is an expression of my past experiences re-coded into a vision through the present co-emergent moment towards beneficial future possibilities; its an expression of celebration.

Shane Shanahan with Yo Yo Ma and Colin Jacobson

Shane Shanahan has cultivated his own unique and highly sought after sound by combining his studies of drumming traditions from around the world with his background in jazz, rock and Western art music.   His interest in other cultures has lead to extended visits to Turkey, India, and Tajikistan, among others.  Shane’s rare set of diverse skills is what attracted Yo-Yo Ma when he was forming the Silk Road Ensemble.  In the summer of 2000, Shane was invited to Tanglewood where he played an important role in the formation of the group.  Ever since, he has been touring around the globe performing side-by-side with Mr. Ma as an original member of the award-winning Silk Road Ensemble.  Shane’s playing can be heard on all three of the ensemble’s top-selling recordings for the SonyBMG label and the two most recent albums feature his arranging skills, as well.  These arrangements have brought ecstatic audience to their feet in the top concert halls of North America, Europe and Asia. Shane can also be seen and heard on Mr. Ma’s Grammy Award winning holiday CD/DVD release “Songs of Joy.”

 

He is also a member of frame drum master Glen Velez’ Handance Ensemble and cellist Maya Beiser’s Provenance project.  He has performed and/or recorded with Philip Glass, Alison Krause, Sonny Fortune, Fantasia,

Chaka Khan, G. E. Smith, Simon Shaheen, Jamey Haddad, Cyro Baptista,

Anindo Chaterjee, Sandeep Das, Shahram and Hafez Nazeri, Alim

Qasimov, Kayhan Kalhor, Howard Levy and Steve Gorn, among others.